Showing posts with label winter. Show all posts
Showing posts with label winter. Show all posts

Saturday, February 27, 2021

February (Poetry + Photos)

Barred Owl

Last year, I wrote a poem about each month. This year, I'm sharing them, along with photos I've taken that month (photos drawn from a variety of previous Februarys). I hope you enjoy this one - it's one of my favs.

Northern Cardinal

Eastern Bluebirds (male & female)

Water (fluid and frozen)

Black-capped Chickadee & me

February,


The shortest month in the longest season,

Made a little bit longer when it leaps.


February is a blip in the radar,

A heart line jumping faster,

A quivering ache to connect.


In a season of slumber,

February is the REM.

It's movement under the surface,

Beating, bubbling and turning over

Inside winter's womb.

It's a hint of newness

Nestled inside winter's middle,

In the heart of the ancient cold.


A break in the clouds,

A wake from the sleep,

Love nurtures life slowly now,

Beckoning to the undiscovered.


Earth rests her palms upon her heart,

Awaiting the faint pulse of spring.


If you want to read or re-read January's poem, click here!

Feathers

Great Horned Owl


Mute Swan

me :)

Thursday, January 28, 2021

January (Poetry + Photos)

Long-eared Owl

Last year, I made a goal to write a poem every month, inspired by that month. Most of them, like me, weave notes of:
  • Nature, 
  • Breath, 
  • Body, and 
  • Soul. 

This year, I'd like to share those poems with you. I'll pair them with photos I've taken during that particular month! 

Great Blue Heron
Winter's Glow


So here's January - 
A poem by me (Little Bird Nerd / Andrea Rose / @inbodiednature) 

January feels like a preview to spring, 
The moment of conception before the birth, 
Where every thought, 
Every breath, 
And every bird is new. 
Infant in time, 
Yet pregnant with possibility, 
January is fresh, intentional, slow, and gentle. 
It's the pause before an inhale, 
A yawning awakening, 
A chance to "start close in."

January looks both ways like the god it was named after, 
Two-headed Janus, 
Gazing both behind and before. 
We feel the echoes of last year's cycles 
As we emerge, stepping into white space, 
Good space, 
Sukha. 

January speaks the language of owls, 
And peers through a different lens. 
It's time to plot out our course 
And swivel our gaze, 
Awakening to the messages 
Which drift upon dreams. 
The blues which normally inhabit the sky 
Now wash their way down to earth, 
Setting the filter to cool. 
Like when we open our eyes 
After they've been closed for a while, 
And everything looks ultramarine. 

Outside we breathe smoke signals, 
Dancing proof of our own aliveness. 
We practice "Hygge" as the Norwegians say, 
Opening our arms to change, 
Embracing our power,
We spark warmth underneath our chilling bones. 
This winter fire fuels intention, 
A braid of head, heart, and hands.

There's power in the collective now, 
A quiet trust in the resetting of things. 
With ritual, presence, and contentment, 
Movement forth becomes our medicine. 
We cross the bridge from reflection to projection, 
Turn, turn, turning the wheel once again.


Tracks


American Robin


Winter Wren

Wintery Marsh Vibes

Red Squirrel

An Icy Winter Sunset


Winter's Quiet Power

Thursday, September 3, 2020

Why Birding?

As I approach my 6th full year as a birder, I reflect back on what this hobby and passion has meant to me, and all that it means to me now. I think about the forests full of things I've learned and observed, and the skies full of things yet unlearned. And as I've pondered, I've come to realize I now have a much clearer understanding and answer to the question, "Why birding?"

I've made posts about how I got started birding, and posts about some of the deeper reasons I'm drawn to it. As well, I'm sure all of my posts give some clues as to my interest in birds. But I'm sure the most common assumption on "why birding?" is - it must be because of the birds themselves. 

This wouldn't be so hard to believe. I mean, they're colorful, sing-songy, full of variety, and abundant in most every habitat. Their differences make them fun to compare and study, and to turn into metaphors and symbols. I could make an easy case of this just examining a few different birds...

Think of the Bald Eagle, with its impressive wingspan, its car-sized, branchy nest, its sunglow yellow eyes, and its ability to pluck what it needs from the earth. Who wouldn't be impressed?

Bald Eagle, Upper Peninsula, MI
Bald Eagle, Michigan's Upper Peninsula

Or perhaps the Mockingbird strikes your fancy, its turntable repertoire of mimicked calls and random sounds floating fluid and without pause. It hops around subdivisions, farmlands, and cemeteries alike, tail flicked up as if to say, it's easy for me to be so many different ways.

Northern Mockingbird begging for food

Then, of course, there are birds for the darker and morbid sort (like me), the ones who won't win any pageants, but who score high on spiritual significance. Like the Turkey Vulture, whose very scientific name, Cathartes aura, rings like a mantra in my mind; whose body is designed to purify the earth then float away on swirls of warm air as if becoming vapor.

Turkey Vulture

There are the tiny and most proudly patterned warblers; 

Blackburnian Warbler

The tireless, shrieking birds of the sea;

The thrushes who sing like harps, even producing two notes at once;

The lightspeed falcons;

The hidden ones - owls, nightjars, and grouse;

The Alice in Wonderland shorebirds...

Whimbrel, Pointe Mouillee, MI

The list goes on and on! In terms of character and appearance, I'm quite sure there must be a bird for everyone. But even with all this variety, exotic excitement, and flashiness; these things are not my why.

You see, I was born to notice patterns. I was made to look for connections; to find and observe small details that others miss; to recognize beauty oft ignored. This noticing and attentiveness goes inward, when I journal, track my monthly cycle trends, or follow my breath and body movements in meditation and yoga. But it also goes outward. When I'm taking photos, I am, as Frank T. Rios says, "A [wo]man who stands against the mountains and thinks of pebbles." My eyes and other senses are trained on small movements, tiny textures, and soft sounds. And with Nature, as in with myself, I am always looking for cycles.

Birds are, above any animal I can think of, the perfect representations of seasons and cycles. When you get to know the birds, you get to know where they move, and when. While much of the world bases their time off what calendar holiday approaches (or even worse, when the stores decide those holidays are approaching), I live in a world of avian seasons. Birds don't generally move due to weather (except in extreme cases like with storms and food shortages). Rather, they migrate based on length of day. Their bodies respond to the sun and moon and stars like ours like ours lean into the televised news. It doesn't matter what is going on in our politics, our culture, our religion - birds move with the seasons as if following ancient scrolls. 

In my studies of them, I've learned when the southern birds come north during spring, or when the birds must be nesting, hunkered down and quiet in summer. I wait for the same, but less colorful birds to descend back southward in autumn, and welcome the northerners in winter. There's always some pocket or patch of birds moving north or south, and I come to expect their revisitings. There's those benchmark birds I wait for at the beginnings of seasons - the first Killdeer calling before spring, or that lovely vernal day when overnight, the marshes are soaked in Red-winged Blackbird song. When the Peewees are calling, it's quintessential summer. When Juncos and American Tree Sparrows appear at the feeders, winter is nigh. And once winter hits, it's time to find those snow-named birds, like Snowy Owls, Snow Geese, and Snow Buntings.

To learn the rhythms of the birds, their comings and goings, is to become one with the environment. It's to understand the rise and fall, the ebb and flow. It's to remember our connection to Nature. For me, there is comfort in cycles, and I much prefer the ones which move on wings.

Forster's Terns